If you’re an independent filmmaker, you might have heard of UK Film Review. The platform is a megaphone for small players in the film industry, allowing their small-scale and even micro-budget films to be reviewed by an “optimistic professional.”

After leaving a London film magazine, Chris Olsen created his own publication focussed on independent filmmakers. The full article will be available in the launch edition of Prequel, which is being released this summer.

In the meantime, here is an exclusive sneak peek of our discussion with Chris…

On your website, you said that film critic work doesn’t come with pay, luxury or meeting famous people… but have you met any famous people through your work as a film critic?

Chris: “Yes, a few, and fame is a personal thing. Someone I consider outstanding in their field could be a complete unknown to others, but I have been incredibly lucky to speak with some very talented people. 

“Whilst I have been in interviews/press junkets with the likes of Eddie Redmayne, Jack O’Connell, and even J.K Rowling, my favourite “famous” people interactions have been a little more niche. 

“I did an interview with Todd Howe, a few years ago, who was the guitarist for the excellent band The Boxer Rebellion. He did an incredible music documentary about the band The Augustines, and it was such an honour to speak to him.”

What is a sacrifice you had to make to build your career?

Chris: “Time. A lot of time. When I was in my twenties, I would work my usual job to pay the bills, then come home, get changed and go back out to London for screenings, writing reviews on the train on the way home, and then staying up to edit the website. Weekends would also be filled with growing the website. 

“Now in my thirties, with a family, I find my time is a lot more precious to me, and that’s why I am massively grateful to the wonderful UK Film Review writers who review so many of the films and do other things I can’t always do myself anymore. They are incredible, and I am so lucky to know such talented people.”

Based on the many films you have reviewed, what makes an amazing short film in your opinion? 

Chris: “The best short films know their limits and play to their strengths. Whether that’s a fantastic story that doesn’t need a lot of gimmicks, or a brilliant cast that does all the heavy-lifting. Sadly, we do come across short films that are not aware of their limitations; perhaps stretching their focus across too many locations or casting too many actors without the directing skills to manage them.”

Subscribe to read the rest of the interview in the next issue of Prequel!

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